I really enjoyed learning and studying more about Turkish motifs engineered by artists in Turkey and the tradition of cultivating those techniques untouch or unchanged by anything else respective to each element when placed on a tile or ceramic, in this case on Fabriano paper and tracing where every element of the work must be symmetrical on each side ½ or ¼ of the way designed by hand and painted by hand, each motif like the clouds, and rumi motifs using specific colour variations to the designs known for and made by Turkish Painters. I practiced the technique in a session or 4 denoting the time and practice it takes to create numerous pieces before finalizing it from tracing to Fabriano paper using a compass and and mindset studying the visual arts until I got it right.

I enjoyed these pieces especially one which was called the “Tree of Life” which denotes the plants used in the area and its flourishment of colors reimagined and painted several times over as a pattern on ceramics, with little to no mistakes in lining and precision in the symbols that were followed by the previous generations of Turkish artists.